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The Second Chapter of My Dystopian, Post-Nuclear, Romantic, Darkly Comedic, Dramatic Psychological Thriller of a Book
Published on April 5, 2006 By mittens In Fiction Writing
After spending a couple of fairly long, enjoyable nights editing I think I can consider the second chapter of Paradise in a state of completion limbo — not "done" by any means, but done well enough to the point where I can not worry about it and move on to the next chapter. Which I think I'll probably start work on at the end of the month.

Chapter 2, though, is fairly different than the first chapter in that there was no longer the need to be incredibly detailed in environment descriptions since, for the most part, there aren't a whole lot of new areas that were visited. In this chapter I decided to focus on the introduction of some important characters and tried flesh out Adam, the main character for those not in the know, a bit more. The overall tone of this chapter also isn't quite as a somber as the first one was. That's not to say that this chapter is uplifting by any means, because… It's not. The best way to describe the tone of this chapter is probably to just call it bipolar and move on.

Here's a little teaser to grab your attention enough to actually go read the thing:
Adam woke up from what felt like a half-hour nap. He opened his eyes and saw Rachel curled up on his chest. He picked her up and set her on the pillow next to him. Since he couldn’t think of anything better to do, he decided that he’d just head to school early. Looking over at the couch, he noticed that Jack was watching TV with a beer in his hand and two empty bottles on the table in front of him.

“I find myself angry, yet oddly entertained, by the fact that one of the four non-news shows they show us is about a group of people stranded on an island together,” Jack said, turning up the volume on the episode of Gilligan’s Island he was watching. He then drank the remaining half of the bottle he was holding on to.

“Uh-huh,” Adam said while he scanned the floor for a shirt to go over his dark blue t-shirt.

Jack turned his head around to look at Adam, “You were always one of those kids that used to watch these reruns and think that maybe, just maybe, Gilligan would get everyone off the island in that particular episode. Weren’t you?”

Adam had found a shirt and started to button it up. “Nope. I think I watched about three episodes and figured out that they would never get off the island. The series finale would be something like the Skipper finally getting sick of Gilligan’s shit and going on a batshit crazy murdering rampage.”

“Aided by the Professor,” Jack added.

“Of course,” Adam said, trying to find where he put the belt once he had taken it out of Rachel’s mouth.

“Well, let me tell you, Adam. I’m glad you’re the one who will ‘educate the future generations.’ The kids will have a nice, optimistic, mentally stable figure in their lives,” Jack said.
This segment is probably the worst indication of what the chapter is like, but it was one of the more enjoyable for me to write, so yeah. And it doesn't really give anything away… Which is either good or bad, I'm not sure yet. Either way, if you're interested in reading it there are a variety of formats: HTML, DOC, and PDF. As a quick WARNING this chapter, like the one before it, has quite a bit of swearing. It is devoid of any sex, violence, gore, or drugs (with the exception of beer) though.

All of this, as usual, is all available on my fiction page and I would highly recommend reading the first chapter (also on the writing page) if you haven't before the second chapter. This is just my damned chronological thinking, though. There's also an "Introduction" on that writing page… But I wouldn't really recommend reading that. It's an entirely different sort of beast that was written before I had given much thought to the actual novel and, now, I don't think it really fits in with the direction I'm taking anymore. It's still there, though, if you want to read something that's all sorts of special.

Any questions, comments, or what-have-you can either be posted as a comment here or e-mailed to me.

gotta wake up and smell the collected coffee
Comments
on Apr 05, 2006

Nice back and forth....

You should post the whole chapter.  I don't think most people will go to another site and read something they aren't vested in.....the first few chapters might get people to care about the characters and then follow them to your site if you post here.

Just a thought.

on Apr 05, 2006
Well, they're fairly lengthy... And I'm not a huge fan of how the formatting turns out when I post a large amount of text here. Though, like I said, there's an easy HTML version of the link which is pretty much a simple click away. No frills design, just a decently formatted (for HTML, anyway) version of the chapter.
on Apr 05, 2006
I read it, do you want feedback?
on Apr 05, 2006

Well I don't have time to wait so here it is....feel free to delete.

I found the jump back in time too distracting.  I think the story sounds better told chronologically.  Jumping back in time is a great plot enhancer, but I have to be invested in the characters and actual plot first.  The lack of foreshadowing leaves me wondering where this piece is going....not a bad thing necessarily if mystery is part of your plot.

You have a good grasp of dialog, though often I re read which character said what because it wasn't making a lot of sense to me.  And when Kain first appears on the scene and doesn't come inside...I was confused because you never show Adam joining Kain outside, but later say he opens the door and goes back in?

Passive voice is a killer.  Take out all the "hads/have beens."  It dulls the writing.  (I am guilty of this as well.)  So I know what a killer it is.

By the end of chapter two I feel like there should be some connection with at least one character.  In a perfect world, the reader should bond with a main character within the first ten paragraphs in you want them to actually read the entire piece.

Bonding with a character "usually" takes place when the author shares the character's personal feelings, or intimate backgrounds.  Just showing the mechanics and dialog of a situation generally won't do that.  Another reason I think your jump back in time should start the piece....shows more intimacy.

That's just my two cents.

Good work.

on Apr 05, 2006
Yeah, I'm tremendously guilty of using the passive voice a lot. I like to use it to mix things up a bit while I write, but I never remember to actually pay close attention to my use of it while I edit.

Before I address some of the comments, though, I'm curious if you read the first chapter before this. This isn't something that really lends itself well to not reading chronologically. Also, my current goal is a flashback per chapter, pretty much. The first chapter's flashback was far more important in the scope of that chapter than this second one is in this (it was about a page longer before, too, so I trimmed it down). Which is partially why I'm wondering if you read the first chapter; I think the flashbacks won't be too disconcerting once there's that established pattern. I really wanted to do a flashback with Adam's wife (which is, primarily, the focus of the flashbacks in general), but I have a far better situation in mind for the next chapter that'll make that flashback seem more natural and important.

The location of the Adam/Kain thing is established in the first chapter. There's a fairly large "entry way" between Adam's house and the actual "outdoors." This conversation happens in that area.

Thank you for the feedback though, I love hearing what people think and that's primarily why I post this online. It's actually a fairly large project of mine and I like to get new readers opinions as I go alone. Preferably people who I don't know very well -- as my friends have heard me talk a lot about this so they know my motivations better.

And as for the foreshadowing... It's there. It's just very, very subtle. These early segments are intended to keep an air of mystery about them. My goal is to have the reader, by the end of the next chapter (or maybe the fourth, but I'm planning on the next one) and then maybe scan through this second chapter again and realize "Holy crap, I should've noticed this!" I'll see how this plays out, though. Keep in mind that this is still a very early piece and I'm also learning about this world as I write almost as much as a new reader is.

Thanks again, though!
on Apr 05, 2006
Your welcome and no I didn't read your first chapter yet. I will when I get two minutes, well maybe 30 minutes to rub together.

You answered my questions well and that helps me understand the direction. However, so far, no character have endeared themselves to my heart....so if I say bought this book, or picked it up to buy it....well....see where I am going? I always read the first chapter in the store...if it doesn't captivate or click I move on.

I get the regression idea...its a great tool for adding drama and context...and doing it consistently is good too....but as a reader I have to "want" to go there....does that make sense?

It's like if you meet someone on the subway. Usually within a few minutes you know if you want to hear more about the person or if you want them to shut up. I believe if that person begins with some personal details, nothing extreme, maybe something as minor as, "I'm from Russia. This is my first time to the United States. I always wanted to come here but my government wouldn't allow it." Then the regression (or history) would be desired. Round.

If however that person said, "I like the USA. Subways are fun. Do you have gum?" Then who cares about the history? Flat.

I will read chap one before adding any more comments. Thanks for not getting mad....I personally love feed back...some I heed, some I don't. So I will give it as I would like it..
on Apr 05, 2006
Oh I will be out of town and nowhere near civilization for about 9 days starting Friday...so will see to it when I get back.